Ending Next Week
Browse our ‘Ending Next Week’ section for all the best rock & pop vinyl deals, all available online at Rare Soulman. This section is always stocked with the rarest finds so be sure to keep coming back to check out our selection of stock. Add something different to your collection today.
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Sam Cooke and Sound Dimension
Love Me / Lost And Looking
Studio ? : STU 002 PS (45s)
Listen and prepare to be mesmerised, no matter which side you drop the arm on, like so many have before you, utterly enslaved by Coxsone Dodd's makeover bring in his studio band "Sound Dimension" to captivate you with their irresistible rhythms from Studio ? and Don Lorenzo's secretive production.
Dodd takes Sam's gorgeous 1960 ballad on RCA adding Caribbean flavours into the mix, a recipe for an enthralling mid-tempo cocktail of soulfulness crocheted into a Jamaican backdrop provided by one of the most accomplished producers and studio bands available at the time.
Two awesome sides that nearly 20 years later, this limited disc, that seldom comes to market.
Condition Report
Ltd. edition # 700 of 1111 a fine clean picture cover, revealing only the merest signs of handing (see images) mint labels, mint minus vinyl. a beauty!
Prince Buster All Stars - Land Of Imagination / The Barrister (The Appeal) -
Blue Beat: 45/BB 391 (45s)
Another humorous, uplifting Rock Steady groove from "Buster"
Another tale of mischief and misfortune, set to an uplifting, sympathetic horns roll out a the dance pulses, partitioned by a killer trumpet break. You can't help but fall in love with the "message" you feel must have originated from a true event.
The ballad lead side, has its charms as we experience "Prince Buster All Stars" in a different light.
Importantly this is a fine clean copy, 4 prong centre intact, elusive in this condition. Strong gloss on vinyl reveals only mild, soft forgivable hairlines.
Condition Report
two clean labels, 4 prong centre intact, strong gloss on vinyl, reveals multiple but fine mild surface hairlines, both sides play clean
Jackey Robinson / Bob Taylor
Heart Made Of Stone / I May Never See My Baby Anymore
Punch: PH 50 (45s)
Catchy, whirling keyboard pulses provide the dance element, Jackey giving up the vocal class required to lift the session to another level.
The effortless and highly regarded young vocal of Bob Taylor immediately captures your attention with his first release, serves up a simplistic but highly effective plea of impending loneliness. A voice that only made 45 release on just 3 occasions, before fading into obscurity in 1975.
Seldom seen for sale, two great sides.
Condition Report
Two clean labels, 4 prong centre intact, strong on vinyl, some soft ticks from short scratch, along the long at the beginning, but soon clears for excellent playback. The flipside plays a strong vg+ listen both sides lifted directly of this elusive disc. Both sides carry multiple surface hairlines.
Johnny Burnette And The Rock 'N Roll Trio
Johnny Burnette And The Rock 'N Roll Trio / 1956 UK original press
Vogue Coral : LVC 10041 (10")
Here is, for the first time ever on our auction the "impossible" December 1956 British 10" album.
The track listing speaks for itself every one a red-hot Rocker.
A1 Honey Hush - written Lou Willie Turner
A2 Lonesome Train (On A Lonesome Track) - written-by – Glen Moore, Milton Subotsky
A3 Sweet Love On My Mind - Dorsey Burnette written-by – W. P. Walke*
A4 Rock Billy Boogie - written-by A. Mortimer, Dorsey Burnette, G. Hawkins, Johnny Burnette
A5 Lonesome Tears In My Eyes - written-by A. Mortimer, Dorsey Burnette, J. Burnette, P. Burlison
A6 All By Myself - A. Domino, David Bartholomew
B1 The Train Kept A-Rollin' - written-by H. Kay, L. Mann, T. Bradshaw
B2 I Just Found Out - written-by A. Mortimer, Dorsey Burnette, Johnny. Burnette, P. Burlison
B3 Your Baby Blue Eyes - written-by A. Mortimer, Dorsey Burnette, Johnny Burnette*, P. Burlison
B4 Chains Of Love - written-by Harry Vann Walls, A. Nugetre
B5 I Love You So - written-by - Henry Jerome
B6 Drinking Wine, Spo-Dee-O-Dee, Drinking Wine - written-by J. Mayo Williams, "Stick" McGhee
Condition Report
Two clean labels, no writing, stickers or stains, soft age fade, silver text has soft age fade (see images), strong gloss on vinyl revealing only some ultra mild surface hairlines when angled under, plays amazingly well, listen. We've soundfiled EVERY TRACK for the importance of accuracy. The whole album is just killer! Listen the clean cut clarity of this most vibrant of albums. Retains original crescent poly-inner, white crescent sleeve, maybe a clean replacement.
Ronnie Mitchell
How Many Times / The Only One
London: 45-HLU 9220 (45s)
Ronnie Mitchell a Johnny Nash, Lenny Welch, Gene McDaniels' styled "black" balladeer, a crooner with a beautifully rich, smooth as velvet delivery. A New Yorker who worked with some great producers, notably Teacho Wiltshire, Jerry Leiber & Mike Stoller, Doug Morris to name but a few. Releasing 45s on Blue Cat, Brunswick, Hour Glass, Spectrum, Laurie etc. But somehow never catching the attention of the British Soul collector.
This listing is for London collectors, because it is so hard-to-find especially as the two sided "stock" copy. Before you today.
A soul crooner that somehow flew under the radar.
Take a listen... to two seamless floaters.
Condition Report
Two clean labels, 4 prong centre intact. vinyl reveals some soft hairlines, housed in clean birth-sleeve.
Medation
No Peace / Peace Version
Upsetters : no # (45s)
A Lee Perry creation, showcasing a classy gentle n' jazzy mid-tempo class decorated by shrill girl group chorus, ducking under crashing cymbals, and a steady strollin' pulses carry the seesion forward. A jazzy tenor saxophone elevates the session even further. Truly cool tune, with a stripped down "version" where it unveils all the intricacies of the arrangement...
We love it!
Condition Report
neat rubber stamping i.d. the collection on Tony Corsin on the mostly clean a-side label (see images). Strong gloss on vinyl reveals on fine soft storage hairlines under light. both sides plays very clean, even on the quiet intro listen to the soundfiles lifted directly from this elusive disc.
Wailers
Simmer Down / Sunday Morning
I Don't Need Your Love: JB 186 (45s)
"Simmer Down" is an iconic/classic club anthem. Two definitive Coxsone Dodd Rock Steady compositions.
An inspiring trumpet saturated Rock Steady dance groove, endowed with a wave after wave of enthusiastic high-pitched mixed group vocalization, partitioned with a soothing sax break before in jumps back into SKA dance mode.
We just adore it!
Flipside is a fabulous saxophone dominated Ska mover, inspired Soul vocal-harmony dancer with a rasping lead vocal, contrasted by shrill girl-group choruses. Classic 1965 of the highest calibre.
Condition Report
£ prong intact, light label storage wear but clean. with an historic 1/2p stamp on the flipside label, a quite common and cheap way to i.d. your discs in the mid-sixties. Vinyl reveals multiple light surface marks, but plays loud and clear (listen) only very mild and acceptable background, nothing overpowering the music. Flipside vinyl is in the sdame grasding, WHAT A TUNE a double delight encapsulating the mid-sixties mood in Kingston.
Blues 5
When You're In Love / Hey Baby
Studio 36: no number (45s)
How pleased are we?... to get this "impossible" British "MOD beat" record back in stock, in a trade deal for some Northern Soul, as it is an insanely RARE 1964 British private press release, manufactured in Northampton by an undocumented band (any information would be gratefully received)
STUDIO 36 was the same company that pressed "The Quakers - It's Alright" - the British Beat Holy Grail that had a documented press of only FIFTY copies, We suspect this 45 by BLUES 5 received perhaps even less, STUDIO 36 did do runs of a meagre TEN. The Blues 5 is significantly rarer than that impossible 45 from Melton Mowbray, Leicestershire. Our local group The Quakers did have another 45 released on Oriole.
But for "The Blues 5" "When You're In Love" their self composed thumper, this was their one and only release.
A stronger rhythmic Brit beater, driven by skilled and relentless strumming guitar, a racing vocal backed up with a well timed male group chorus. Some great guitar solo pauses, showcase a deliciously primitive performance decorated with strong lead voice with group vocal choruses, and tight harmonisation .
Totally beyond RARE, on a label that helped just 7 bands achieve a vanity release for friends, neighbors of give-away promo in the hope a record company may pick up on their unknown talent. .
Of the 7 bands they pressed 45's for "The Quakers" were the only group to release more than one solitary single, The Quakers had two.
Rumored as a "50" only press is a ridiculous low number - this 45 is as rare as it gets, if you collect UK singles, but maybe as little as 10 pressed as samples for the band.
The Quakers 45 on Studio 36 is a "confirmed by a band member" as a 50 only run.
Condition Report
Tiny faint name on the flipside label, see images. a-side label is totally clean. 3 prong centre intact, strong gloss on vinyl, revealing only a few soft surface hairlines when angled in the light. A strong EX+, as you can hear it plays crisp and clean, both sides.
The Imposters
Wipe In / Tulsa
The Frogdeath : FROTH 1 (45s)
From the desk of popular El Paso radio DJ and TV personality Steve Crosno. This popular, slightly quirky music enthusiast started "The Frogdeath" label designing of of the world's most memorable 60's record labels.
Imposters - Wipe In / Tulsa - The Frogdeath launch his label in 1963. Little Stevie Crosno carried on his enterprise with 8 more releases until 1967. These included some fine nasty Garage sessions, a couple of brass saturated Soul movers.
This "Imposters" give a fabulous account of themselves with "Wipe In" complete with wacky ghoulish vocal encouragement, but is a blatant planarization of "The Surfaris - Wipe Out" whilst the flipside "Tulsa" is much more ordinary plectrum workout.
Rare 45, on a collectable cult label, seldom encountered in such fine clean condition
Condition Report
Very hard to find in clean condition. Two clean label, sharp text with the intricacies of that iconic label logo, bright and clear. Full gloss vinyl, show only the merest fine hairlines under light. Plays clean ... listen
Mr. Lucky and The Gamblers
Take A Look At Me / I Told You Once Before
Dot : 45-16930 (45s)
Starting out in 1964 as "The Blazers" updating their name to "Mr. Lucky and The Gamblers" because "Mr. Lucky" was formerly a popular CBS TV program with John Vivyan playing the lead roll. It worked as they got booking all around Portland, Oregon. Expanding their band as they incorporated "The Rogues" into band giving it a harsher "punk" feel to their style.
In 1966 whilst supporting and impressing Don and The Goodtimes. Don Galluci and the lads were so impressed with Mr. Lucky and The Gamblers that they helped seal a record deal for them with Jerry Dennon's Panorama label. Resulting in two local hits "Take A Look At Me" tune, written and produced by Bob Holden and Don Galluci (of Don and The Goodtimes)), and Alice Designs (LSD Signs), which was produced by Bob Holden and produced by Don Galluc.
Flipside is a California sunshine pop harmony tune "I Told You Once" moody production sits into Northern Soul blue-eyed dance territory .
Two fine sides, in fabulous condition!
Condition Report
Two clean full gloss labels, NO ring wear. Full gloss and unblemished, vinyl, housed in birth sleeve.
Tim James
Strange Things / Motions
Delcro : 45-502 (45s)
Typically inventive Bay Area production on the same label that released that highly regarded Soul group harmony ballad by "Teardrop Tears" released shortly before to launch the label with Delcro 501, considered for decades as an Holy Grail of Californian sweet soul.
Both Delcro releases recorded at the famous Music City Studios 1815 Alcatraz, Berkeley, 3 Calif. but total opposites in design. The mysterious musician Tim James crafts two captivating and individualistic recordings. "Motions" being a jangling guitar dominated mid-tempo benefitting from heavy percussion and Tim's moody approach and sparing lyrics, crammed full of useable "breaks & beats" as its eerie qualities wash over you. A sleeper due to its extreme rarity but now emerging both sides of the Atlantic as a style rare-Soul DJ's are starting to air.
The other side "Strange Things" carries a weightier leaning towards Psyche/Jazz with more of an emphasis on his spooky singing style.
Both sides capture the Bay Area's psyche mood, still prevalent during mid-70s with notes paying homage to the Haight - Ashbury era, a throwback session of real quality. At the moment we cannot find out too much about this obvious local talent, that Ray Dobard released this lone single on.
All we do know, is both sides are great and interest is building worldwide in its obvious potential and this copy is in perfect condition.
Do not pass by, the 45 is on the move, on several different scenes across the world.
Condition Report
MINT previously unplayed archive copy, still housed in birth-sleeve - TOP condition
Soul Cats
Your Sweet Love / Keep It Moving
Camel: CA 23 (45s)
As the group name suggests, the SoulCats were heavily influence by the US Soul sounds. Camel 23 gives up two horn dominated feel-good dancers. Especially "Keep It Moving" which borders on Northern Soul, fabulous brass filled arrangement.
Listen two impressive "Soul" influenced recordings.
Condition Report
clean a-side label, 4 prong centre intact, flipside label has a soft sticker removal graze Camel head logo (see images) Top quality near mint minus vinyl, reveals on a few soft surface blemishes. Both sides play clean.
Wailers
Ska Jerk / I'm Still Waiting
Coxsone : FC 6909 (45s)
On the flipside The Wailers again pulled from their admiration for the Curtis Mayfield and The Impressions serving up a haunting vocal-group harmony stepper beautifully elevated by sympathetic horn prompts, another killer tune. Tight, emotional, example of top-drawer Jamaican soul.
Two superior tunes on one disc.
Condition Report
minuscule ballpoint initial on label, tiny "Made In Jamaica" rubberstamp on a-side label. Strong gloss on a-side vinyl reveals only soft fine plays clean. Flipside vinyl is also fine clean bright gloss, there is however a tiny dimple that triggers distance low-thud for a couple of seconds - listen to the crisp double soundfile.