Auction
The condition and authenticity of all the records in our auction section are always carefully and closely scrutinised. If you enjoyed our auctions, then you may also enjoy checking out our latest soul additions.
Miracles
Oo Baby Baby / All That's Good
Tamla Motown : TMG 503 DJ (45s)
Condition Report
Two clean promo labels, soft sticker removal graze on a-side Tamla Motown logo. Strong gloss on vinyl, a few soft surface blemishes, both sides play clean (listen). Still housed in birth-sleeve.
Betty Lavette
What Condition My Condition Is In / The Get Away
Karen : 45-1544 DJ (45s)
Betty at her most powerful...
A guaranteed floor igniter!
Condition Report
Two perfect promo label, sharp gloss finish, no ring wear,
2 Times 2
Outside The City / Across The Sea
New World : N/W-2X2 DJ (45s)
Here's a most likely PROMO only, musclebound slab of Northern Soul goodness from some of New York's most respected. A Frank Cari production calling upon 3 New York names of high acclaim; Scott English, Victor Millrose and Teacho Wilshire all add their extra expertise to build a broad-shouldered Big City beater, once heard never forgotten.
2 Times 2 originally a 6 member band, paired down to four (Two X Two) with associates of the band Charlie Ingui , Richie Ingui, Kenny Jeremiah,, Joe Forgione, Paul Venturini, moving south down the east coast, entering the orbit of Kenny Gamble & Leon Huff; forming the foundations of "Soul Survivors". Giving Gamble & Huff their first sizeable hit with "Expressway To Your Heart" on Philly based Crimson Records.
You can clearly hear the matching vocal styles of 1968 hit to the 1965 launching pad of their careers. Giving up, booming bass vocal decorated by tinkling triangle rings. Drawing inspiration from Bill Medley and Bobby Hatfield as additional rich harmonies hover above as all voices merge. Melodic piano notes suddenly collide with a wall of brass, triumphant trumpets take to the air. Forming a "Spector" worthy "wall of sound"
A proper "Big" production delivering a rich bulk of silky smooth harmonies... brilliantly delivered on wave after wave of horns...
Seldom seen for sale, especially in this exceptionally clean condition!
Condition Report
Two clean yellow labels, full gloss mint minus vinyl, revealing only the merest sleeve storage blemish when angled in the light.
Patti and the Emblems
It's The Little Things / Easy Come, Easy Go
Congress : CG 263 DJ (45s)
The magnificent ease of Patty Russell's voice engages the vibes, and the subtle "Wiz" arrangement, as Eddie Watts, Vance Walker and Alexander Wilde enrich the production with flowing harmony choruses. Lifting Patti's vocal on every verse, until she majestically cruises to a crescendo. Killer Saxophone break, most likely conducted by Artie Kaplin and Panama Francis in charge of The Vibes and drumming.
Together this capable gathering deliver perfectly stunning vocal group Northern Soul, with the effortless lead vocalist, exquisitely displaying her songbird talents.
A record that always pleases the ear, as not too many DJ's have a copy, of a classic with miles of life still in it.
The NS classic collectors seeking rare formats, will already be aware, that even a casual google will confirm the elusive STOCK copy is 10 times rarer than the promo.
PS check out the lively flipside "Easy Come, Easy Go" also saturated in oodles Northern Soul goodness, partitioned by an explosive sax-break. .
Two killer girl group dancers...
Condition Report
Two unblemished red and white promo labels, full gloss mint minus vinyl - a beauty!
Marva Josie
Don't / I Love New York
United Artists : UA 888 DJ (45s)
Horace Ott's genius harnesses the dynamic versatility of the beautiful Marva Josie. Long term producer of Marva, Norman Blagman, surrounds her with a full-blown orchestra to match her undeniably powerful vocal presence. The original a-side is another great song "I Love New York" but more suited to a Broadway stage, than a motivational spin in an underground London Club. So it was "Don't" that resounded around the the subterranean "100 Club", rumbling deep below Oxford Street.
"Don't" had all the ingredients to become a 100 Club anthem, taking pride of place as the last track, side one on Kent's 1986 album "Kissing Her, Crying For You". Also featuring in more than one DJ set as it was used as their "ender" leaving lingering impression. Which is exactly what Marva does
An inviting simplistic piano leads you into what changes up to become a mountainous NS beater. Subtle trumpeting, punctuated by handheld rattling of a big bold casaba. Horace Ott directing Marva's warnings to rise and fall on waves of brilliantly conducted orchestration; pulling a masterstroke of ignoring the temptation of shrill girls, that so many of these styles call upon. Instead, Horace summons a deep mellow voiced male-choir to ring out the choruses, the effect is stunning.
Top-drawer, top of its genre, Northern Soul.
Condition Report
Two clean Promo labels, full gloss on the vinyl, reveals only a few fine soft storage hairlines. both sides play bright and clean.
Ellusions
You Didn't Have To Leave / You Wouldn't Understand
Lamon: 2004 (45s)
THIS IS PROPER NORTHERN SOUL!
Today standing as one of the few enduring classics, seldom surfacing for sale, it's rarity within the constrains of OVO making it a tune you only generally hear when an A-list DJ is at the controls.
As an oldie it is always a delight to hear, not suffering a jot from over-exposure, still saturated in all the ingredients that triggered the dancefloor energy that lifted Wigan Casino & Cleethoropes Pier nights into gymnastic mayhem.
It's got everything required including eternally-rare validity..
a TUNE indeed...!
Condition Report
Two rich red full colour flawless labels, no light exposure red fade whatsoever. Beautifully clean MINT minus vinyl, a stunning copy!
Milton Parker
Women Like It Harder / Anyhow
Closet : 3102 vinyl press (45s)
Choppy, captivating arrangement is embellished throughout with delicious additions, as the Saxophonist changes direction to squealing out some piercing notes, as the girl-choir encouraging chant "Treat Her Harder" takes to the air.
The production is way above anything you could ever expect from a street-level private press. Rich, flowing over with imagination, drenched in quality moments and classy additions...
A skilled stand alone D.I.Y. creation from Milton Parker himself, who wrote & produced this "Closet" production ..
But he's not finish impressing you yet, flip this rarity over to be greeted by a jabbing piano intro, inviting a positive snarling vocal-edge from Milton, as if the a-side had buoyed his attitude. Still using all the components of the a-side, Sax, Horns, celestial girl-choruses but changing the approach to hammering home his message, just a little harder.
Who ever the mysterious Milton Parker was, he certainly never recorded enough 45's. This as far as we know is his only 45, and both sides are truly memorable. With their fullness of both instruments and girls, not overlooking Milton's rich vocal..
Two sides of brilliance on one very hard to acquire disc.
Not this is the VINYL press not the notoriously stylus afraid styrene press that also has a tendency to shed labels. This is the high desirable VINYL press in fine clean. Some mild surface marks revealed when angled in the light, but very little interferes with the sound. Check out the double sound file provided and spy that rather special label design
Condition Report
Note this is the VINYL press not the notoriously stylus afraid styrene press that also has a tendency to shed it's labels. This is the high desirable VINYL press in fine clean. Some mild surface marks revealed when angled in the light, but very little interferes with the sound. Check out the double sound file provided and spy that rather special label design
Gloria Jones
Tainted Love / My Baby Boy's Coming Home
Champion : 14003 DJ west coast press (45s)
Beyond timeless, in fact an immortal Northern Soul anthem in it's least encountered format, a West Coast PROMO copy delta no. 56260 , the rare spring of 1965 "barred" white label design; totally clean and free from any X's, writing, stains or stickers. Two glorious near unblemished promo labels, fine clean full gloss play surface surfaces. Direct from the USA absolutely no Northern Soul circuit exposure.
This is emblematic Northern Soul, so very classic, even people outside the Northern Soul scene know every word off by heart. A stomping, hand-clapping, sing-a-long dancefloor classic with few equals. For instant reaction on the thumping opening bars. before Gloria's powerhouse vocal collides with you head-on.
The music speaks for itself, the vision of the label, condition and design, says much more than we ever could...to elevate it's already gigantic NS kudos. If you are going to own a real-deal anthem acquire one in its most attractive, least seen formats.
We would also like to point out, do not overlook the fantastic flipside that has sat in the shadows of "Tainted Love" for far too long.. and is at long last, raising it's head in some of the more adventurous DJ sets...is worthy of your attention also.
Condition Report
Two clean, black text promo labels, free of writing, stains, X's, stickers or any other label scar to spoil the view. Fine clean vinyl, but revealing soft soft surface hairlines, no indication of previous turntable action, playback is flawless
Harry Starr
Step In to My World / Another Time, Another Place
End : E 1129 (45s)
"Another Time, Another Place" became a fixture with my choice of plays. But today I prefer the flipside "Step In to My World" and that's the side we showcase first on this listing, of New York "Beat Ballad Heaven" x 2. A double-serving from a master of the "Big City Sound", Robert Banks constructs two almighty examples of The Big Apple's penchant for the powerhouse Beat-Ballad.
The acutely gifted Robert Banks had his own reasons for mostly singing in the background. Presumably his dedication to Gospel Music he didn't see fit to use his own name in a commercial recording. But contradicting that statement, RB man first coming into the Northern Soul eye, when one of his few 45's credited to him on his 1967 Verve "Mighty Good Way" rattling every all night Northern Soul Club in the early 70's. When the "Bradford Market" MGM / Verve haul set a few copies free...to shake the foundations of "The Torch".
Robert Banks from his strong Gospel roots was also an accomplished keyboard player, guitarist, lyricist, arranger, producer. His credits can be found on a multitude of independent Northern Soul products from in and around New York.
A year before "Step Into My World" in 1963 Harry S fronted the The Keyavas - on IPG "If This Is Goodbye" another two Betty Jackson compositions. All his cuts, Harry's presence behind the microphone sent shivers through me...the perfect Big Vocal presence Northern Soul fans adore. Gnarled, grisly, delightfully frayed but not broken, Soulfully shattered with emotional hairline vocal chord cracks, adding huge authenticity to his singing, gravel-coated whilst still be comfortably warm, smooth and fluid when required, so versatile.
Truly one of the greatest creators of the "Beat Ballad Sound", Roberts Banks was a master-craftsman guiding just a stunning voice, so now enjoy his work twice over, we are betting on a Harry Starr renaissance in the near future..
Listen and melt!
Condition Report
Two clean labels, strong gloss on vinyl reveals only a few soft blemishes, hear the double soundfile on a few discreet background ticks
Various Artists
The Complete Grapevine label from GRP 101 to GRP 147 / The Complete Run of 47 singles
Grapevine : GRP 101 to 147 (45s)
Read the full listing of Promo copies and stock and the conditions.
All to be auction as a complete lot of 47 7" 45's.
This is the very first time we have listed the full run, for auction. A huge investment opportunity that gained in value year on year for the last 54 years.
Condition Report
All have clean label, at least Ex+ vinyl - most are unblemished Mint minus as acquired from new.
Carolyn Crawford
My Smile Is Just A Frown Turned Upside Down / I'll Come Running
Motown : M-1064 DJ (45s)
Condition Report
very soft, hardly visible x on a-side label just above the "O" on the block Motown logo. See images, Be prepared to squint to detect the faint X. Flipside label is totally clean. Strong gloss on vinyl only a few few soft surface hairlines become visible when angled in the light. Playback is crisp and clean ) listen.
Bobby Moore and The Fourmost
You Got To Live For Yourself / Dance Of The Land
Fantasy: 585 DJ (45s)
Two totally differing styles but equally desirable sides, an East Coast Newark, New Jersey creation, that found a release in San Francisco, California in 1964 at the renowned Jazz / R&B label who already had some of the most respected Jazz musicians from around "The Bay", but were open to Soul / R&B recordings from around the country unable to find a "home".
The stunning harmony ballad "You Got To Live For Yourself" was without a label after Jerry Cohen's D.W. Records stopped releasing discs in 1964. This was earmarked for Bobby Moore and The Fourmost 2nd 45 for the D.W. label but Bobby Moore had to go 2,900 miles west to get his songs onto a 45.
Former "Fiestas" member, Bobby Moore contributed much to the Northern Soul scene many highly sought after tunes. Notably "Think Smart" and the thumping George Kerr, Eddie Jones, Gerry Harris " I Carefully Checked Your Heart" on Kay=O, very rare seldom seen for sale. This example of their work was after Bobby split from the Fiestas he had branched out with his new group "The Fourmost " Ronald Mikes (tenor), Charlie Chambers (baritone), and Bobby Frazier (bass. This Fantasy 45 we is their 2nd rarest disc according our meagre data on the band.
The 45 leads with the highly desirable "Lowrider" stroller "You Got To Live For Yourself " on the lead side. A soaring Bobby Moore falsetto intro hangs in the air, underpinned by the vocally rich trio delivering choruses, the four craft a beseeching testament to his life so far, with the narrative of having to go for it "yourself" if you want success. A thing Bobby knew all too well and was more than willing to enact.
The lesser known but totally imposing cocktail of Latin / R&B, deliver a vocal-group shaker on the flipside "Dance Of The Land" a muscular hipshaker. Dance craze songs "The Waddle, The Mash Potato" and "The Watusi" weaved into a crashing Kettle Drum peppered arrangement, an insane sax interlude, wild bluesy guitar breaks, whilst a relentless "Arabia" style vocal storm goes on in the background. Potent R&B poised to go big.
Very tough to find 45, especially in this flawless mint minus archiver condition.
Condition Report
Two perfect labels, full bright "gold" text on rich burgundy backdrop, full gloss achieve level mint minus vinyl still housed in birth sleeve. AS goo as it gets
Cynthia & The imaginations
Hey Boy ( I Love You) / Love Is Real
Blue Rock : B-4074 (45s)
but for how long? As Cynthia and team serve up mind-blowing girl group Northern Soul with equal potential for that huge big-ticket value.
Before you day is a previously unplayed archive copy of this delicious Detroit double-hitter from the "Magic City" desk of Ernest Burt, assisted by the talents of Dale Warren, Tommy Willis & Leroy Duckett
The four between them craft two stunning Northern Soul for the supremely soulful voice of Cynthia "Girty" & her Imaginations. The original version of
The Four Dynamics “Thing's That A Lady Ain't Supposed To Do” Peachtree 129 but delivered by the sweetest girl-group voices possible. “Heart-stopping emotion that once heard, stays with long after the turntable stops.
We lead with the flipside, an absolutely Northern Soul jewel, that has yet to reach its obvious treasured potential.
Gliding on a thermal of soft guitar picking and haunting horns, the session gradually swells into a seductive girl group plea, so very hard to resist as the four ladies melt your heart. They don't accept the boy's reasoning, blinded by love Cynthia is so convincing in her quest for reconsideration. We don't find out if she wins him over... but such beseeching harmony woven into a stunning Motor City mid-paced stroller, has won me over, completely.
The other side, the original a-side the lengthened "Love Is Real" 2.58 version is another testament to the invention from the streets of Detroit, the spoken intro subsides into an uplifting girl screamer cradled by precise guitar picking and a rich Dale Warren honkin' horn backdrop.
Two superior girls sides on a record that in recent times as vanished, with demand growing by the day. Ownership ASAP, is our advise.
Condition Report
Two clean labels, full gloss near Mint minus vinyl, still housed in birth-sleeve. Top copy!<br />
Tommy Tucker
Oh! What A Feeling / Wine Bottles
London : HLU 9932 DJ (45s)
an irresistible clean white promo vista, just begging to be unleashed, onto some unsuspecting dancefloor.
For some unknown reason this prowling Northern Soul / Popcorn growler from the desk of Herb Abramson never received the USA release on "Festival" it was scheduled for, I have yet to see a copy, not even a test press.
Leaving this imposing UK only mid-tempo, so very tough to find; thus limiting its undoubted Northern Soul monster potential obstructed by sparse exposure (hardly any DJ's able to acquire a copy) holding its exposure back, that same situation still applies today. But the powers of the internet are alerting more and more DJs and collectors, that this 45 ticks all the boxes for dancefloor success.
The very familiar snarling voice of Tommy Tucker is put to good use as Herb Abramson conjures up a stabbing horn backdrop, peppered with piano decoration and relentless hammering percussion. The vocal delivered in the manner of Jimmy Robbins, Bud Harper, Vernon Garrett etc. a bellowing rasp that instantly grabs you by the throat, serving up threatening R&B Northern Soul at it very, best best!
The raw blues guitar showered, Hammond driven R&B infused flipside "Wine Bottles" is well worthy of your attention also.
Condition Report
Two clean eye-popping promo labels, see images. Strong gloss on Ex a-side vinyl plays clean (listen) flipside visually is vg+ but plays clean (listen) all housed in an original birth sleeve.
Sonia Ross
Let Me Be Free / Every Now And Then
Tragar: TR 6818 (45s)
Utterly sublime 1970 beseeching girl voiced Northern Soul from desk of Atlanta's most gifted of producers "Tommy Stewart".
"Let Me Be Free" is right up there with the very finest girl Crossover cruisers ever made, move over the likes of Vicki Labatt, Annette Poindexter, Shirley Lawson, Patti Stokes etc.
Sonia Ross usurps all of you...
Ridiculously rare and stunningly good!
Noting the flipside is aching "vocal group assisted" Deep Soul at its most pleading..
Condition Report
X X on flipside label,the "play" side label is flawless, see images. Vinyl is flawless, full gloss giving up only the merest insignificant upon forensic inspection. TOP COPY!
Prince Lincoln / Prince Jazzbo
Live Up To Your Name / Little Joe
Bongo Man : B.M. 00027 (45s)
Haunting, moody and addictive 1973 roots from the Studio One stable. Gently picked guitar intro opens the way for compelling chugging landscape, peppered with discreet Hammond pulse in the background. All driving Prince Lincoln's sandpaper coated vocal as the jazzy guitar leaves its impression, a mesmeric cocktail of mood changing influences, lifted by an unhurried vocal. The blend is totally captivating.
Flip it over for a lively dance session from Prince Jazzbo - Little Joe, a fabulous sampling of Motown's Edwin Starr's "25 Miles" full of pounding bassline notes, as "Jazzbo" screams and shouts his toasting in irresistible rhythms, as snippets of "25 Miles" keeps raising its head.
Two really cool, sides; no wonder this disc is so sought after, especially in this "impossibly" flawless condition. e
Condition Report
Two totally clean label, see images, full gloss mint minus vinyl. Plays beautifully clean (listen)
Frankie (Love Man) Crocker
Ton Of Dynamite / Confession Of Love
Turbo : 0001 vg swl (45s)
BUT PLAYS CLEAN!
visually vg plays a crisp clean Excellent! Listen, not even a whisper.
The from the same era when the diversity of the Northern Soul scene was never more apparent than in 1974 when the Blackpool Mecca was spinning "A Ton Of Dynamite" and Wigan Casino was spinning "Footsee". The line in the sand was drawn with The Mecca going more and more "Funky" and Wigan Casino DJ's momentarily veering towards "pop".
Ton Of Dynamite was a ground-breaking "hunk of funk" that took no prisoners on the Northern Soul dancefloor. As Blackpool Mecca started winning the street kudos. As time has proved beyond debate as "Footsee" will never grace a Northern Soul turntable again and Frankie Crocker still triggers allniter pandemonium when dropped.
What a record to launch your label with ... influential radio DJ Frankie “Love Man” Crocker aided by Willie Feaster, Benny Johnson and Sylvia Robinson certainly chose the right style and title for "Turbo’s" blast off.
Even though the early years of Turbo were quite unproductive. With all five of their 1969 45’s falling on hard ground with only meagre sales, this would later change when “Dynamite” sparked interest across Europe for everything “All Platinum & Turbo”
Whilst us mere mortals were listening to Mike Raven’s BBC radio one Soul show for our Soul educational fix. Ian Levine and Colin Curtis were listening Frankie Love Man Crocker on WBLS radio on cassette tapes Ian had brought back from his USA holidays. The turbulent sound “Ton Of Dynamite” stuck in their minds, then a few original 45s were located. The Blackpool Mecca’s boundaries were already widening; Levine and Curtis decided this frenetic edgy cocktail of Funk & Northern Soul was ready for a Highland Room airing. It was of course an instant success with the "Highlanders" receptive tastes. A record that has been ingrained into the Northern Soul psyche ever since. Even near 5 decades after those two audacious Blackpool Mecca DJ’s discharged it’s power onto a now expectant Highland room throng.
It is records of this ilk, and DJs who think outside the box that has kept the rich tapestry of Northern Soul music fresh, open-minded and addictive for all this time. Thank you Ian and Colin for pushing the boundaries.
Before you today, encapsulated in near 3 minutes of “dynamite” is a the elusive top drawer NS classic that truly pushed the envelope.
Condition Report
a-side label has writing on it, 9 fast , see image, b-side label #19 . vinyl visually is vg multiple fine surfasce hairlines, but plays a perfectly clean Excellent (listen) <br /> <br />
Jackie Lee
Darkest Days / One For The Road
ABC : 11146 DJ delta 73393 (45s)
From Los Angeles where this masterpiece failed to register to surface in the West Midlands of England to receive the adulation it so deserved. A Carl "farmer" Dene discovery that swept the country, rising to become an anthem at all the leading clubs of the time.
It was inspired determination after some dark times & barren years that crafted this blinding recording.
After riding a crest of wave in the late 50's thru to the mid-60' Earl Nelson experienced rather testing times at Mirwood Records, where between himself & Bob Relf they racked up hit after hit, allegedly with very little recompense for their huge contribution. In the autumn of 1968 Jackie Lee was indeed in his "Darkness Days". in limbo after Mirwood Records had drawn it's last breath. With the label winding down to only a one solitary release in 1967 and only two in 1968, none of them Jackie's. 1965/66 being Mirwood's golden years & Jackie their golden boy.. the whole of 1967 and most of 1968 Mirwood hit a drought of material.
On the back of this, allegedly Charles Jones pulled together lyrics, that reflected Jackie's situation. Collaborating with partner Bob Relf and the two greatest Soul producing talents Los Angeles had to offer. Fred Smith and the gifted James Anthony Carmichael pooled resources to craft a Northern Soul masterpiece. That became a Golden Torch anthem; so much so Nottingham's "Select-A-Disc" on Arkwright Street, the Cellar Record bar an oasis for Soul collectors throughout the early 70's commissioned ABC/Dunhill for a re-issue.
The reissue carried a new delta # of 85897, but still today still commands a 3 figure sum even though it was pressed 3 years after the original..
So before you today is a stunning Northern Soul created by L.A.'s finest, with their back's to the wall, in search of a resurrection. But sadly it never happened.. another gem that fell through the cracks into neglected obscurity..
Listen to hear what teetering on the brink of possible career ending times, how talented people rise again when determined talents meet in one room.
Ear-pricking solitary guitar plucks, castanets make for an iconic intro.. a pleading Jackie Lee serves up a determined beseeching performance; softened by shrill girl choruses that fill your being with inspirational thoughts. A bank of strings lift the song into the Heavens, the studio girls rain sympathetic choruses upon Jackie Lee's cutting-edge vocal before it fades away!
UTTERLY BRILLIANT!! and this is the pinnacle choice to own it in; First press promo from September 1968 ABC 11146 DJ delta no. 73393
Condition Report
Two clean white promo labels. Vinyl revealing only minuscule signs of sleeve storage, absolutely NO stylus fatigue from the NS circuit, this is a fine clean USA copy find.
Wooden Nickels
Nobody But You / More Than a Friend
Omen : 14 DJ (45s)
Another standout dance creation from those talented Californian cousins Chester & Gary Pipkin. Their names on a label is synonymous with classic style Northern Soul of the highest calibre. This example is no exception, as the boys steer Brenda & Patrice Holloway, Pat Hunt, Zelpha Crawford through 60's girl-group supremacy.
A Wigan Casino classic spin that amazingly escaped the dubious honor of being bootlegged at the time; with the following decades adding layer after layer to it's reputation of a tune you can drop the needle on anytime any place, getting heads and feet moving.
This tune gives you a drop of the proper stuff. REAL-DEAL-NORTHERN SOUL that stomps from start to finish. On sweet girl vocal lead, riding a wave of male vocal group backing, relentless driving bassline rhythms attacked by a searing Soul-Sister voices. Partitioned by a heavy piano thumping out distilled Northern Soul fuel, an instrumental break to die-for, the type that detonated the "Casino" dancefloor to floor-destroying, hands aloft, arms-wide handclapping hysteria.
So very classic Motown style - but better!
But do not passed by the dreamy harmony ballad on the flipside a fabulous "Lowrider" candidate.
This PROMO copy is in irreproachable clean condition...
Condition Report
a-side title circled in blue marker, otherwise two unblemished promo labels, see images. Full gloss on vinyl, revealing only some super-soft surface hairlines when angled in the light, as you will hear, nothing affecting play, listen to the crisp, loud and clean soundfile and prepare to be lifted off your seat.
Dee Dee Sharp
I Really Love You / Standing In The Need Of Love
Cameo Parkway : C 375 DJ noc (45s)
In the beginning the Soul Allnite club DJ's of Great Britain favoured the Barrett Strong Motownesque dancer "Standing In The Need Of Love" the perfect dancefloor motivator for the MODS of '66. Four beats to the bar, Northern Soul perfection, with Dee Dee's Diva vocal riding jingling vibes, rolling drums, bolstered by male vocal group choruses, Motown inspired saxophone bridge as Gamble & Huff not for the first or last time match the Motown sound, this time using Kim Weston recordings as a blue print for inspiration.
No wonder the British MODS elevated this dance tune as one of the UK's most-wanted 45s. Totally passing by the original mid-tempo a-side. An a-side that today is the perfect-match for the Northern Soul scene's acceptance of the truly wonderful mid-tempo dancefloor cruisers, so very in vogue.
"I Really Love You" is a Philly masterpiece constructed by three of the city's most gifted at the time. Kenny Gamble collaborates with Arctic label owner Jimmy Bishop crafting a stunning beat ballad of pure excellence. Swirling strings, cradle Dee Dee's convincing pleas and affirmation of love, creating one of the finest sister soulful strollers of all-time and my preferred choice of play for the last 4 decades.
Presented here fabulous condition, needless to point out, if the 4 prong centre was still intact, their would an almighty bidding war for ownership. So with some of those more fastidious British collectors may be hesitant of going too hard for ownership. We still consider this listing as a thing of really beauty. Two killer tunes in its most desirable form. With flawless vinyl, clean promo label. Let's be right, large centre hole makes for easy-peasy DJing and will turn heads on the weekender turntable cams.
What's not to love -- listen an melt to this Soul Diva's delivery guided by Philly's most talented music-men.
Two killer sides!
Condition Report
Two clean DEMO labels, discreet white initial on b-side label (see image) 4 prong centre neatly removed, full gloss stunning mint minus vinyl, perfectly clean playback, housed in Cameo Parkway replica sleeve.
Jimmy Ruffin
Gonna Give Her All The Love I've Got / World So Wide, Nowhere To Hide (From Your Heart)
Tamla Motown : TMG 603 DJ (45s)
James Jameson’s booming bass guitar, lifts the curtain to Motown storytelling at its most poignant. Jimmy’s convincing tones of hope, take the listener with him on a journey filled with desire, love and relief … he’s a free man again, he cannot wait to board the train that’s gonna take him all the way back to his girl. A riveting narrative many a Hollywood movie has been based on… but this is better than a movie, because you’re travelling right there beside him all the way to Detroit.
Motown’s greatest gift to the dancer or the listener was its ability to encapsulate a film, a book or a play into less than three minutes. A chance for your mind and body to drift away into Jimmy’s world. Vividly envisaging all of Jimmy’s emotions, as the lyrics paint the picture in your head of struggle, strife and despair. Whilst Barrett Strong and Norman Whitfield paint the landscape with tinkling vibes, swirling strings, rattling percussion carrying you to the the climax of his intentions. A patient girl-choir bursts forth, a tsunami of strings descend onto this tale of impending elation, with the genius crowning moment of thundering kettle-drums driving the story home.
One of my all-time favourite Motown productions..it has everything a blockbuster movie should have, including flashbacks of you wondering what that final moment was like when Jimmy was in her arms again…
In all the joy this record delivers, please do not pass by the wonderful Northern Soul experience waiting on the flipside “World So Wide, Nowhere To Hide (From Your Heart)” a yet to be exposed dancer of the highest calibre, delivering a most-awesome saxophone interlude. ... that Simon Soussan used to rave about on his early 70's mailshots from Los Angeles.
Two great sides...
Condition Report
Discreet writing on a-side label, blink and you'll miss it. Strong gloss on vinyl, reveals some soft surface hairlines but playback is crisp n' clean.
Jackie Wilson
The Who Who Song / Since You Showed Me How To Be Happy
Coral : Q 72496 DJ (45s)
The NS collectors who delight in owning Northern Soul classics in their very rarest clothes...
We think it's gorgeous, Jackie looks so cool on a silver-top London, something that never happened in the UK.
"Since You Showed Me How To Be Happy" the original a-side built by the same principles as Carl Smith & Gary Jackson's lively hit "Higher & Higher" hoping for the same level of success, whilst "Since You Showed..." sold well in the USA it was the vibrant " Who Who Song " that captured the hearts of the British MODS to become a Twisted Wheel / Mojo/ Scene and every other allnight club monster. Carrying on right through to late Wigan Casino, Mr. M's in particular rockin' to the vibes of Jackie's infectious flipside.
As a mint British DEMO this is a trophy-piece, drenched in huge desirability...
Condition Report
Two clean promo labels, 4 prong centre intact, most likely previously unplayed mint minus vinyl still housed in its wavy-top birth sleeve
Rose Valentine
I've Gotta Know Right Now / When The Heartaches End
RCA Victor : 47-9276 (45s)
Condition Report
Two clean black stock copy labels, full gloss vinyl revealing only the merest fine sleeve storage hairlines when angled under light.
Lee David
Temptation Is Calling My Name / (I Feel A ) Cold Wave Coming On
Columbia : 4-44138 DJ (45s)
A timeless NS classic that has guided so many Northern Soul youngsters into a lifetime of all Northern Soul sessions. , my unforgettable first encounter was the Highland Room, at The Blackpool late 1973 that nailed me to a lifetime, of dancing and seeking out superior USA rare Soul to recreate those euphoric moments of my youth.
The pounding piano n' brass intro has signaled a dancefloor invasion ever since it first emerged in the very early 70s. It is another Northern Soul discovery that over the last 45 years has never once become for me; over-played, tedious or tiresome. It has that certain magic that always enthralls...
Jazz schooled pianist Jimmy Briggs writes and arranges both sides, with the prolific New Yorker's Garry Sherman and Stan Kahan pooling their considerable forces to produce almighty "Big Apple" Brill Building pulses that drive Lee David forward.
Both sides drip with quality, presence and power. This is old-school Northern Soul that never weakens as the years roll by.
I loved it then and I still adore it now...
This is, immortal Northern Soul with that all important, reassuring "sound investment" factor thrown in..
Condition Report
Date stamp on two otherwise clean promo labels, full gloss perfect mint minus vinyl, still housed in birth sleeve.
Jimmie Reed Jr.
I Ain't Going Nowhere / Do You Remember
Mercury : 72668 (45s)
The only 45 Jimmie Reed's son released and BOTH sides are totally fabulous Northern Soul delights!
Credited to Jimmie Reed but in truth both sides are quintessential Chicago male-group-harmony dancers.
produced by Jimmy Smith Snr. long-term mentor Al Smith. As the label credits suggest, when the gifts of Terry Callier and Trudy Johnson collaborate, you know something good is gonna happen; especially when Philip Wright is on keyboards decorating the session with delicate ivory tinkling, setting the background alive, with subtle simplistic breaks lifting the session. Whilst conducting the uncredited vocal group choruses to fall in place. An understated recording shimmering with brilliance every step of the way.
Flip it over and the Chicago charisma continues, with another vocal group assisted mid-paced treasure. For me the Jimmy's own song "Do You Remember" is equally as enthralling, a stronger vocal-group presence building up the landscape with seamless oohs and arrhs all beautifully stitched into place, again following the subtle piano prowess of Phil Wright and again the studio experience of Al Smith pulling everything tightly together.
Two wonderful Soulful strollers, way ahead of their time, as both songs have been in the past, labelled as stunning Crossover.. surely "crossover" wasn't a thing in 1967, well, unless your names were Callier or Wright... I'd a categorise both sides as seamless Northern Soul , so good it would slip into a "crossover" set without disrupting that slick soulful vibe.
Condition Report
Two totally clean labels, tiny bb drill hole its on flaw. Full gloss mint minus vinyl playing crisp and clean (listen) Still housed in its birth-sleeve. <br />
Richard Caiton
I See Love Girl In Your Eyes / Wonder Will You Always Love Me
Caiburt : VPL 3040 (45s)
This example again showcases Richard Caiton's his seamless falsetto. His pleas perfectly tuned with a truly uplifting though simplistic piano intro opening the door for his consummate falsetto of Mr. Caiton. As always drawing you into his soulful mood every time; just like he captured everyone's hearts with "I'd Like To Get Near You" he again grabs your attention with his optimistic, uplifting vocal gliding over a gliding arrangement lavishly decorated with piano notes of love. Subtle horns, cradle his searing voice hanging, in soulful levitation, leaving you helpless to resist its charms..
A truly stunning performance from New Orleans answer to Eddie Holman; guided throughout by Crescent City's studio master Joe Broussard, the combination is breathtaking...
This is the perfect New Orleans example of giving "disco clichés" the cold-shoulder, with Mr. Caiton serving up super soulful, rare soul-dance...that seldom comes to market.
If you want to hear this man, change your mood yet again, just flip it over! Killer Soul ballad of highest calibre.
Condition Report
Two clean labels only soft storage rub of the label landscape ridge the only freckle of this 45s beautiful face. No writing, stickers or stains full gloss archive vinyl -
Prince Love and his Royal Knights
Don't Want No Wars / The Stomp
Allah : AL-1000 DJ (45s)
1962 original press from Sylvester Sly Stewart project protesting his fears of a possible Nuclear war , when Fidel Castro and Nikita Khrushchev reached an agreement to station neuclear warhead on Cuba point at the USA. After the failed U.S. attempt to overthrow the Castro regime in Cuba with the Bay of Pigs invasion.
While the John F. Kennedy administration planned Operation Mongoose, in July 1962 Soviet premier Nikita Khrushchev was steadily building Russian forces on Cuba. It was a delicate situation that could have led to World War. Here's the always outspoken view of Sly Stewart on the situation. An explosive R&B Screamer from Los Angeles, that today enjoys such strong a cult following!
This rarely encountered disc, NEVER turns up in anything but severely worn out state, worn or water damaged labels and poor condition vinyl. Then on only very rare occasions.
The chances of a mint minus copy sits at lottery win odds.
Do not pass by! We shall never encounter the likes of this rarity at this level of near perfection ever again!
Condition Report
Two bright clean RED TEXT labels, clean archive level mint minus vinyl still housed in birth sleeve. Unbelievable!
Reuben Howell
You Can't Stop A Man In Love / When You Take Another Chance On Love
Motown: M1274F DJ PS (45s)
Still my favourite version of this fabulous Terry Woodford, Clayton Ivey, George Soule creation, as the arrangement skills of the prolific master of "the strings" Mike Lewis & Charles Chalmers levitates the whole song above all others, the slow misty drizzle of its soulful brilliance saturating your mood with only good feelings and "take to the floor" motivation. It certainly brings them up onto their feet.
Simplistic laid back piano intro, prepares you for a strolling masterpiece that slowly blooms into a full-blown Northern Soul classic; currently on the comeback trail; as NS DJ's begin to revisit its bewitching charms. Fueling the inevitable delighted dancefloor becoming "lost" once again in it irresistible powers. A positive response is assured, when ever this beauty is dropped on the turntable. As you'd expect when encountering such a "Soul" excellence.
A male vocal delight, adorned with shrill girl choruses, strings, subtle horns and positively determined lyrics.
I adore everything about it!
Seldom seen in such fine unblemished condition.
Condition Report
Two clean stereo promo labels, full gloss vinyl, revealing only the occasional soft sleeve storage hairline when angled in the light. Clean seldom seen original picture cover.
Bobby Garrett
I Can't Get Away / same: instrumental
Mirwood : 5508 DJ (45s)
In fact, the face of Northern Soul in the UK has changed from people finding their own style of music, to being so agreeable; literally 100's of TV Shows, adverts, radio adverts and jingles have featured NS across the airways.
Bobby Relf's wonderful November 1965 recording now sits firmly as one of the best-loved timeless NS classics that virtually the whole population has listened to.
Although the really rare "purple" label variation is it's least seen format. A white promo copy carries perhaps as much kudos. Especially as confusion reigns with the vinyl blue label stock copy; as the counterfeits can erroneously get sold as an original. The White Demo just like the purple variation there can never be any speculation about authenticity.
With the minefield of trying to collect Northern Soul authentic originals for ever triggering doubt, it's good to be certain about what you are buying. With the styrene White Demo you are certain of it being a genuine original.
So click the soundfile to hear the genius of Fred Smith, Bob Relf, Jackie Lee in their attempts to emulate Motown's success in California. Sadly Mirwood never became Los Angeles answer to Motown, the label badly stumbled after just 35 releases. The majority of them standout Soul recordings. Many have tried and succeeded to run the whole label, a few have took on the much more difficult task of running the label with White Demo's only. What a glorious sight that would be, to witness finished all in release number order as promo copies.
To the Northern Soul collector Mirwood is one of the greatest labels ever, Bob Relf one NS's best loved artists... with the White Demo labels of all Northern Soul 45's, addictive and so very irresistible.
How many boxes does his 45 tick?
Condition Report
Two totally clean promo labels, the two play surfaces are super clean, Mint minus throughout - a beauty!<br />
Ronnie McCain
This Time I'm Gone / Too Much Of A Good Thing
Triode: T-116 (45s)
Here's Ronnie again is a less aggressive mood, but just as impressive with a fabulous Northern Soul Crossover cruiser.. of the highest order. Backed up with a strong Northern Soul dancer that received turntable action back in the late 70's before "Crossover" evolved into being the preferred choice.
Preferred choice, because this Ben Smith and Ronnie McCain collaboration oozes Soul at just the right pace of delivery, for those of you crazy-about-crossover. The jangling guitar lays down an inviting pace, for Ronnie's purring rich vocal to unfold his story. A narrative of a man who has suffered, at last making up his mind to leave his love with no bad feeling left behind. Resolute and upbeat Ronnie's vocal portrays relief and hope his decision of leaving will bring him. Beautifully constructed lyrics woven into a sympathetic horn and guitar rhythms with stabbing hard-blown brassy moments driving his decision home. Top drawer Northern Soul crossover of the highest calibre.
Flip it over for "Too Much Of A Good Thing" you may remember this receiving plays late Wigan Casino or Cleethorpes Winter Gardens; memorable funky guitar pulses provide the landscape for those horns again to blare forth enriching this NS dancer again benefitting from Ronnie's powerhouse vocal. A side that could also easily be revived, no doubt turning a few old-school minds back 40 years..
Two strong tunes, with "This Time I'm Gone " being a very special tune indeed.
Condition Report
Two perfect labels, full gloss unblemished mint minus play perfect vinyl
Olivia Alexander
He's Gonna Love Me The Right Way / He's Gonna Love Me The Right Way part II
Gatewood : AH 204 (45s)
Her soaring Minnie Riperton style delivery hitting several different octaves during her celebration of her man. Such a soulful exercise the pair decided a part two was required, in part two this soul-drenched diva in parts sensually raps her story, adding another dimension to what is, a fabulous "Lowrider" essential. Delivering a head turning vocal over a simplistic but highly affective piano led arrangement, crafted by a 60's soul legend!
Top rare stroller so very challenging to acquire.
Condition Report
Two clean labels, strong gloss on vinyl, reveals only the merest soft blemishes when angled in the light. Plays clean
Rita & The Tiaras
Gone With The Wind Is My Love / Wild Times
Dore : 783 DJ (45s)
Explosive dancefloor destroyer for almost five full decades - still incredibly rare - maintaining its mystical Northern Soul worship from the DJ's, collectors and the dancefloor.
Investment level Northern Soul, at its most-wanted, rarest-of-the-rare that has grown in demand year on year.
Every Northern Soul fan needs to experience the feeling this glorious 45, warms you with, when and if you ever attain ownership, so you can wow a dancefloor with its unstoppable power.
Nuff said...
Condition Report
Tiny promoter thanks "stamp" promo a-side label, totally clean flipside label. Strong gloss vinyl reveals only a few soft hairlines under light, plays superbly clean (listen)
Richard Temple
That Beatin' Rhythm / Could It Be
Mirwood : 5532 DJ (45s)
What isn't so well known is the flipside "Could It Be " is one of the finest Sunday chill-out tunes, yet to be widely exposed to the European slow-groove enthusiasts. Jimmy Conwell's instantly recognizable vocal, slowly unloads a soulful portrayal of "lover's doubt". Simplistically supported by a pedestrian piano and blanket of drawn-out hanging horns, later cradled by swirling strings stoking his situation of despair.
When we were teenagers of course nothing could overshadow the excitement of the high-octane dancefloor igniter "That Beatin' Rhythm" that started life as The Catacombs most wanted, most talked about exclusive that adorned those, now iconic pages of the early 70's Blues & Soul, with adverts of what the DJ's were playing, tempting us all to go to Wolverampton that weekend to hear their mouth-watering exclusives.
The Northern Soul anthem that caused a sensation when first discovered and added even more mystique to their famous and much awaited Blues & Soul, with full width bottom of the page adverts.
Proudly, at first a "Catacombs" exclusive, that one rival club DJ presumptuously declared, there's no such artist as "Richard Temple" they are only calling it Richard "Temple" because the Catacombs is on "Temple Street" ...how ironic is that...? The Northern Soul scene has a reputation of putting pompous know-it-alls in their place.
Today though, the much more mature Northern Soul collector is swooning in the glorious "Could It Be" knowing full well, to be catapulted back in time to the best days of his life... al he needs to did is flip it over.
Condition Report
A rare opportunity to acquire a near perfect Mirwood "white", impossible condition in 2024. Full gloss mint minus vinyl on BOTH sides. Promo labels free of any writing, X's, stickers, or stains, there is a trace of age "browning" running through the "NOT FOR SALE" text on the flipside label. (see images) only a freckle from promo perfection.
Emanuel Rodrigues Ork. / Bonny & Skitter
Rico Special / A Little Mashin'
Island : WI-022 (45s)
Condition Report
Two clean labels free from writing, stickers or stains, 4 prong centre intact, strong gloss on vinyl, some soft surface hairlines, not affecting play, visually vg+ plays excellent plus (listen)
Lorraine Chandler
I Can't Change / Oh How I Need Your Love
RCA: RCA 47-9349 (45s)
This partnership of Jack Ashford & Lorraine Chandler crafted some of the purist Northern Soul creations ever
Condition Report
Two flawless promo labels, gloriously perfect mint minus vinyl, still housed in its birthsleev
Derrick Harriott
Brown Baby / Version
Crystal : 1110 (45s)
This blue & white swirl design with the girl / boy dancers logo, is the way to own it. Especially with two completely clean labels, full gloss mint minus vinyl, as good as you could hope of acquiring.
Cool early 70's groove, still retaining a wealth of TSOP magic, and Kenny Gamble & Leon Huff's expertise.
Condition Report
as quoted in the review, "two completely clean labels, full gloss mint minus vinyl just one solitary soft surface blemish not affecting play (listen), as good as you could hope of acquiring. <br />
Vala Reegan & The Valarons
Fireman / Living In The Past
Atco : 45-6412 (45s)
The well practiced girl-group virtuoso Herb Bernstein straight from the school of Bob Crewe Productions. Adds these young New York songbirds to his already impressive list of girl-vocal triumphs that include The Flirtations, Laine Hill, Kathy And The Calenders etc. With this "unknown" gathering of young ladies, the mysterious Vala Reegan with her bevvy of shrill girlfriends oohing overhead, with enthusiastic male voiced choruses underpining proceedings.
Superior Northern Soul dancer with a difference, served up and driven by wave after wave of heavy duty percussion, pelted in every corner of this insistent production.
by relentless Bongos, racing rhythms, soaring oohs take to the air driven by bass guitar pulses, that break out inviting triumphant horns to explode skyward into lift-off mode. A sustained attack on the Northern Soul senses that will leave you quite breathless.
But it's the flipside that provokes my girl-vocal addictions, as the mesmeric sisters enslave me in their thrall. Simplistic piano arrangement spark my sweet girl frailties, I'm immediately absorbed, floundering, about to drown in the beauty of the "unknown" Vala's honeyed voice. "Living In The Past " carries the same heart-enslaving qualities that Herb sprinkled over the magnificent Laine Hill "Ain't I Worth A Dime"
I'm a beyond redemption "druggie" for this style of sister "Beat Ballad Heaven" - " Living In The Past" ticks all my sister soul music fetishes.
You can warm up your ass on the dancefloor to "Fireman". But me I'd much rather curl up with the sublimely addictive " Living In The Past" ...
Yes two awesome sides!
Condition Report
Clean a-side label, flipside has a faint, faded number 10 written in blue marker (see images)
Fabulous Moonlighters
For Granted / I've Lost Again
Blue Eagle : BE 1011 (45s)
The first time I heard the "For Granted" was in 1984 after a young British hopeful "digger" Chris Modley from Boston, Lincolnshire had spent a holiday in Chicago's famed record store "Beverley Records,1612 Western Avenue, Chicago, IL 60643" he found some great 45s, fell in love with the Windy City and even had Chicago's famous skyline tattooed on his forearm. He also found copies of The Attractions on June Bug, no wonder Chris nurtured a love for everything Chicago.
Chris was really excited with his handful of copies, and sold me a few and "For Granted" was soon up and running as a proper Northern Soul "find" everyone wanted own. Produced by legendary soul producer "Nashville's" Bob Riley, a collaboration with "Moonlighters" lead man "Herbert William Gibbs" crafted top-drawer Northern Soul vocal group dancer.
With the rest of the world now drooling over late 60's harmony sweet-soul perfection "I've Lost Again" a sublime harmony ballad, we all overlooked at the time when we were blinkered Northern Soul DJs.
Two contrasting but killer sides, today a very tough find in this sublime condition!
Condition Report
Two totally clean labels, full gloss mint minus vinyl reveals only the merest sleeve storage hairlines when angled under direct light, both sides play flawless (listen)
Chan Romero
The Hippy Hippy Shake / If I Had A Way
Del-Fi Records : 4119 (45s)
Two flawless labels, no fade, storage wear, writing, ring, or stains. Still housed in the seldom seen birth sleeve. Strong gloss vinyl, with only the merest signs of handling. Fine clean mint minus play perfect vinyl (listen)
A listing for lovers of vintage rockers, who are striving to upgrade to the best conditions possible.
Don't forget the fabulous vocal-group harmony Teen stroller on the flipside.
This is a beauty!
What cool vinyl vista!
Condition Report
Two flawless labels, no fade, storage wear, writing, ring rub, no grime or stains (view images). Still housed in the seldom seen birth sleeve. Strong gloss vinyl, with only the merest signs of handling. Fine clean mint minus play perfect vinyl (listen)
Patti Austin
Someone's Gonna Cry / You Better Know What You're Getting Into
Coral : 62478 DJ (45s)
Everybody's favourite Northern Soul Sister with another killer NS dancer from her teenage years with Henry Jerome and Bert "super hits" DeCoteaux that provided our scene with a plethora of standout Northern Soul tunes.
This 45 offers up, not one but two seriously solid Northern Soul dancers with the famed full on "Jerome" orchestra back up. Top side an emotional mid-tempo NS stroller, the flipside is a full blown racing NS stomper!
A 58 year old PROMO copy - in near perfect condition still housed in birth sleeve, beautiful!
Condition Report
Two perfect promo labels, full gloss mint minus archive level vinyl, still housed in its birth sleeve - a stunningly preserved copy
Al "TNT" Braggs
Earthquake / How Long (Do You Hold On)
Vocalion : V-P 9278 DJ (45s)
Condition Report
Running time 2:20 stamped on both promo labels, 4 prong centre intact, full gloss mint minus vinyl, still housed in birth-sleeve. A magnificent copy!
Billy Stewart
Secret Love / Look Back And Smile -
Chess: CRS 8045 DJ (45s)
"Secret Love" made world famous by "girl-next door" glamour-puss Doris Day from her unforgettable portrayal fOf Calamity Jane" with Howard Keel as Wild Bill Hickok. Calamity fell in love with Lieutenant Danny Gilmartin, and delivered a mesmeric performance singing "Secret Love", well worth checking it out Doris was one of the most gorgeous ladyies of the silver screen, enchanting in the extreme.
You would be impossible to hear a wider polarisation of versions. So listen now how Billy's remarkable style deconstructs Doris Day's charm, rubberstamping him as one of the world's truly great soul-singers of all time. An amazing version only Billy Stewart could have made from Sammy Fains & Paul Webster's smooth as silk love song.
The bonus with this 45 is the killer Northern Soul shuffler "Look Back And Smile" on the flipside, that Northern Soul fans have been in love with since the 60's.
I'm not sure who I adore the most "Billy Stewart's" ability at song deconstruction or the spellbinding style of Doris ...
Or indeed the two flawless promo labels, impeccable unblemished mint minus vinyl all housed in its vintage birth sleeve.
Ownership awaits the serious record collector, who like me, also appreciates all the things mentioned above.
Condition Report
Two clean promo labels, full gloss mint minus vinyl, just a couple of soft surface blemishes, not affecting play. Housed in authentic vintage birth sleeve
A. Royn (Audley Rollens) / B. Smith (Dennis Alcapone)
Oh My Darlin' / Ball Of Confusion
Punch: PH 36 (45s)
A fine clean copy lead by former Rocksteady artist with The Emotions on Caltone, Ska Beat etc recording artist Audley Rollens, part of the Emotions gathering along replacing Max Romeo, to join Lloyd Shakespeare and Kenneth Knight. When Audley left he was replaced by Milton Henry.
After these vocal group "musical chairs" Aduley went under the stewardship of the soon to be great "Keith Hudson".
Both sides of this disc are written and produced by Keith Hudson. "Oh My Darlin'" displays typical percussive inventiveness, framing Audley's fearful, but expressive vocal. Soulfully reaching out for reassurance. Very different, as you'd expect from a "Hudson" creation.
Flip it over for Dennis Alcapone flaunting all his toasting skills he garnered whilst fronting the El Paso sound system, that first brought him the attention of Keith Hudson. A potent start to his new career "Ball Of Confusion" Mr. Smith really puts it out there.
Two great sides, in impeccable condition!
Condition Report
Discreet X on labels, otherwise two clean labels, four prong centre intact, full gloss vinyl reveals only minuscule soft sleeve storage blemishes a strong clean Mint minus, even when angled in the light.
Frankie Valli & The Four Seasons
The Night / blank
Mowest: MW 3024 single-sided DJ (45s)
UK only release at the time, overlooked in October 1972 to be passed over by everyone except those investigative Northern Soul foragers looking for new candidates for those hallowed Northern Soul turntables.
Later that Wigan Casino dancefloor passion triggered this 27th March 1975 single sided UK promo to meet the huge build up of demand. The power of Wigan Casino's and Northern Soul's defining year of 1975, the song reached the breathtaking heights of no. 7 in the British charts. Later used in inspiring TV adverts, bringing "Edinburgh Gin" right into public focus with their Northern Soul dance footage, riding an edited snippet of this great song.
"The Night" suffered from inferior cover versions through the decades, all attempts to recapture its magic failed, this original song now universally considered impossible to improve upon.
This was Bob Gaudio re-crowning Northern Soul moment after the booming bassline used in the anthem "I'm Gonna Change" fiver years earlier, Gaudio raises the bass-bar even higher with a grandiose guitar intro underpinned with an atmospheric church organ foundation coated with eerie male vocal harmony setting the scene for Frankie Valli's penetrating falsetto to crash through those ever increasing crescendos. Then Bob Gaudio flexes his production muscle by adding an abyss of deep brass, the introduction of a low-blown, perfectly timed Tuber hinting at the impending storm that is about to break...
elevated to a high-plane by a soaring male harmony choir and Frankie's ear-piercing vocal drilling deep into your brain. Heavy duty percussion keep the "Northern-beat" running ... as my memories of a full dancefloor are rekindled... the finale of the spacecraft lift off again demonstrates the producer's prowess, as the Jersey Boys hit heights nobody has replicated since, and leave seasoned Northern Soul students hanging in a dreamscape of their youth.
Arguably the greatest crowd migration to the dancefloor production ever presented to a NS faithful. Today it still makes me shiver, as it rockets me back to my formative years of Northern Soul indoctrination.
Condition Report
Two clean promo labels 4 prong DEMO RECORD NOT FOR SALE" centre intact, fine clean full gloss vinyl reveals only minuscule surface blemishes when angled in the light, plays as it looks, Mint minus.